Derelict in my duties

It feels like I do more self-promotion than ever, which I’m sort of ambivalent about. I have come around to its necessity in the era of the “personal brand”; and it has actually had positive benefits to my career; although my long-term hope is still that I can build a viable career in this trade while keeping the spotlight more focused on the work than on myself. I guess that’s a weird distinction to make, and probably doesn’t sound natural coming from an actor, but it is honestly how I feel. I only want to be out there to the extent it helps the work; and if it’s not about the work, I’d really rather be left alone.

Maybe that’s why there has been less blogging lately, I already personally feel like I’m talking about myself too much. Add to this that I’m in the closing phases of the new novel, along with a number of other projects, and there’s also just been a lot less time.

Nonetheless, there are new things to share:


That’s the typically fantastic promotional artwork from Kevin Necessary for my newest Earbud Theater podplay, The Sounds Below. You can stream/download it through the link or head over to iTunes. It launched Oct. 28th, just in time for Halloween, and the response has been, I think, the strongest of any of my Earbud pieces. I feel like I’m still in the extended sigh of relief from finishing it; the soundscape for it was by far the most complicated and time-consuming of them all, and as has been our practice I was doing post-production all by myself. That’s going to change going forward – one of the thrilling things going on right now is that our work is starting to attract people who want to help out, including some people who actually know what they’re doing when it comes to audio engineering. This means we’ll be able to get out work that is of much higher-quality, but also faster. My next piece is going to be a little change of pace called Bubbles, which should drop in mid-December.

Three Earbud pieces from this year – Habitat, Bea Little, and ESCAPE! (The End of Humanity Song), are nominated for multiple Audio Verse Awards. The Awards are now in their second year, and with some of the most popular audio drama podcasts on Earth like The Truth and Welcome to Night Vale in contention, it’s likely to draw far more attention. Earbud won a couple last year, and we’re hoping to as well this year. Anyone can vote here (hint, hint); this round will reduce the nominees to finalists in every category, and in the second half of November another vote will determine the winners.

I did a pair of radio interviews this week, to talk about both Seeing by Moonlight and the Virgin Galactic disaster; first for the show Late Night Parents, and then again for Allen Media Radio, which is an actually an outlet of the P.R. firm my co-author hired. So you’re literally listening to my publicist interview me, which makes it very friendly, with expertly-frequent plugs.

Because of the research I did into the history of rocketry and the space program for Moonlight, I do still follow stories like Virgin Galactic with interest, and I guess in the one-hand-washes-the-other mechanics of media booking, it’s easier to talk to me about a book after we’ve spent some time on the current headlines. That may be feeding my recent ambivalence, because it’s difficult to consider that a terrible accident which cost someone their life gets processed into an opportunity to advertise my little thriller book. Still, my co-author has asked if I would be the public face of our partnership, and it’s something I’m willing to do if it helps him recoup his investment in this book.

Lastly, one of the films I shot this year, Reclaiming Friendship Park, launched its first rough trailer. You can view it on the film’s Facebook page. The movie is still very early in post-production, so a lot of mixing and color correcting still needs to be done (and the music is, obviously, not ours), but I think it looks pretty polished for this stage, especially considering how low the budget was. I’m only in the trailer for the blink of an eye, but since my character is largely comic relief, and the trailer is focused on setting up the story, it makes sense.

I heard from the director and producer of the other film I shot, Cloudy With a Chance of Sunshine. Sounds like they’re up to their necks in post as well, but that there will probably be a cut to view around January.

Hopefully I will be able to write a little more later about my short story collection Stages of Sleep, which is nearly in its final form – just waiting on cover art. The way everything is lining up, I’m likely to have two books out in 2015 – and at least two feature films in which I’m acting. Talk about work coming to fruition. That’s something I’m not ambivalent about at all.

A summer of faces

These images probably tell the story better than anything. First – as Peter Quince in A Midsummer Night’s Dream


Photo by Jordan Kubat

Then, as Josh the Deputy in The Tavern:

Tavern-5
Photo by Jordan Kubat

Lastly, as this guy:

RFP-Dale_Bar_1
Director of Photography, Kyle McConaghy

That guy is “Dale Dailey”, a character in the independent comedy/drama feature film Reclaiming Friendship Park, which wraps production today after a whirlwind two-week schedule under the leadership of writer/director Daniel Holland. I was on for five days, and it was a major step up in the camera side of my acting career, both in terms of the size and complexity of the character. It is exceedingly difficult to know if I did a good job; all I know is that the cast and crew were happy. My final shot was on a sunset-painted rooftop in Venice, and it’s hard not to get a little old pinch of that feeling that you’re living a dream when that’s going on.

Dale’s an odd one – and as the movie gets closer to completion and exhibition I might talk a little more about him; but at one point I was filming him, performing Peter Quince, and rehearsing Josh simultaneously; which requires a certain dexterity (also, a fuel-efficient car).

We’re entering in to a more relaxed phase now. Josh is the only character to keep in my head – and I don’t mind admitting he’s not on-stage all that much. I spend a lot of the play backstage, working on writing projects. And I think those obligations are going to move into the forefront now that there are no more rehearsals in the immediate future. There’s a show that starts rehearsal in October for which I might audition, and I still submit myself for on-camera stuff; but I am sort of looking forward to a little vacation from this summer; a chance to give some more emphasis to writing, to rejuvenate, and to find some perspective on what this crowded year in acting has meant to me. I’m attending an acting class for the first time since college, and some good study and self-discovery will probably do me more long-term benefit than just jumping into another show.

I know I’m going to look back on these months and wonder how I kept so much straight – while simultaneously keeping my novel-writing pace steady as well as my Earbud work and tending to my screenplays. Those pictures will be there as proof, though. Three faces – the same in many ways but different in the ways it’s my job to make different.

Stop! Hey…what’s that sound?

At last I have a V.O. Reel:

This pulls together clips from my audio dramas, a couple of the video game characters I’ve recorded, a feature film voice-over that was recorded but never used, and that fake commercial I did on someone’s podcast. There are a couple of other things floating out there that I haven’t acquired yet, and at least one hopeful future gig that would add nicely to this, but I think there’s some decent variety and entertainment happening in a minute there.

It’s also on YouTube, since that may be more convenient under some circumstances.

Voice work is known for being a pretty cushy gig at the pro level, and for being REALLY hard to break into the pro level. Nevertheless, I do see gigs popping up on casting notices once in awhile, and have been lacking the means to effectively pitch my abilities. So this is a big step in the right direction.

Now I just need enough of my on-camera work to find its way back to me…

Keep on Growing

Very proud to announce that I’ve joined the cast of Reclaiming Friendship Park, an independent comedy/drama feature film that will be shooting in and around San Pedro in August. This is going to make August a pretty crowded month on the acting front, as I will also be performing in The Tavern and rehearsing for Romeo & Juliet at Shakespeare-Summerfest Orange County at the same time. Still, it’s a tremendous opportunity for me to play a major role in what has the chance to be a very charming ensemble piece. I will play Dale, an oddball shut-in at an apartment complex where a businessman who wants to trade in the corporate life for the “healing arts”, has just moved in and started disrupting lives.

This will be a major step up from the challenges of Cloudy With a Chance of Sunshine. I was told I could be on for as many as eight of their eighteen shooting days, with some long, complicated scenes involving many characters. We’ll be moving at microbudget pace, no doubt; still, my hope is that I can rise to the occasion and give the filmmakers some good work.

I tend not to say things in advance so as not to jinx myself, but I have another feature audition coming up in a week that I am dearly hoping to land. Just getting into one movie gave me a major boost of confidence; after this, I’m actually starting to dare to think I can do this regularly!

We Have Made Contact

Habitat is here. By which I mean it is now available for download and streaming! Actually, this is only possible at the Earbud website at this exact moment; Earbud’s web designer needs to re-do something with our RSS feed to get us onto iTunes and all the rest. But it is now finished, and public, and FREE. I do hope you listen and spread the word.

I wrote an essay about my love for sci-fi and the development of the idea which you can read at the Earbud blog here.

“I wrote the first draft in a week, intending it to be a short film, but as Tolkein once wrote: “This tale grew in the telling.” I realized we needed time to really take Danna on something resembling the human journey, and even with this version of Habitat realized, I never get tired of writing about Danna and Interface, and their attempts to get through this thing called Life.”

Habitat
Written/Edited by Nicholas Thurkettle

Performed by
Danna – Christine Weatherup
Interface – Nicholas Thurkettle

Produced by Casey Wolfe, Aaron Drown, and Branon Coluccio
Voice Direction by Matt Enlow
Music by Chris Zabriskie
Spot Art by Kevin Necessary

Gesamtkunstwerk

Premiering tomorrow at Earbud Theater:

HABITAT


Habitat Cover - Kevin Necessary
Artwork by Kevin Necessary

There’s a word I love: “gesamtkunstwerk”, roughly from German, it means “total artwork”, and was used by Wagner to describe opera as an artistic mode that could unify many artistic disciplines within it – composition, performance, design, painting/sculpture, etc. These days, film is our dominant gesamtkunstwerk, but to me what is most exciting it not just gathering multiple artistic modes under one umbrella, but about seeing the chain of inspiration, one piece of art generating another, and so on. It’s thrilling that a thing that springs into being from nothing can have such rapidly-mutating offspring.

Anyway, this wonderful cover piece Kevin did puts me in mind of that. It’s a wonderful image to look at, and it took me a bit to remind myself that it only exists because of a story that I wrote. So his artistry becomes a part of the whole that is Habitat, along with my script and performance, the incredible music (which, while not composed for us, nonetheless suits perfectly), and Christine’s performance, which I am dying to share with you.

Stay tuned!

Ready for Liftoff

Happy to announce that, after many months’ work, my first episode of Earbud Theater, Habitat, is going to launch next Saturday, the 21st! In brief: Earbud Theater is a podcast dedicated to creating new, original audio dramas in the sci-fi/fantasy/horror genre. I adapted Habitat from a screenplay of mine, and we recorded it late last year – with Christine Weatherup and myself playing the two roles and Matt Enlow handling voice direction.

I’ve been slowly but surely editing the piece, adding music and sound effects, and we tested the first cut last week to very positive response. It’s the story of a spaceship crash and a planet of hyper-rational non-corporeal aliens, or maybe it’s a story about a woman in an apartment with a talking stuffed animal. Either way, it will be available this Saturday for FREE on iTunes, the Earbud website, and all major podcatchers. I really hope you listen and enjoy!

Out of my brain, into your ears

There was another significant happening yesterday – I finished and exported the first cut of Habitat, the audio drama I wrote/performed in/am editing for Earbud Theater, and had the chance to share it with a few people.

This project has eaten up many hours from many days over the last month since I took over editing responsibilities, and even before that it was creating an always-fueled restlessness in me to share this story.

Habitat_Waveforms

I guess the obsession makes sense. There aren’t many projects in my life that have called for so many of my different skills to all push so hard together on something so big. Even on top of the writing and acting, I’ve enjoyed every opportunity I have had to play in the editing process; and I was adding sound effects and music to creative projects as far back in highschool – even if, at the time, it was mostly crudely-improvised idiocy involving AV cables and cassette tapes.

And despite my love for live theater, I need some less-ephemeral calling cards to show the world what I can do. I have fallen in love with the audio drama medium – in the way that everything old is new again, I think podcasting has provided a great venue to rejuvenate this form, and I already have another script ready to record and more ideas in the pipeline to produce after this one is finished and launched. We’re on-track to release in late June/early July, so stay tuned!

Bucket List Item Achieved

This past Sunday was my shooting day on Cloudy With a Chance of Sunshine. It’s done – I’m in a feature film. The next day I went to see Spider-Man 2 and caught myself thinking: “My face is going to be THAT BIG“. For someone who doesn’t get cast on looks, that’s disquieting.

While this is a huge step forward for me, it was also surprisingly, satisfyingly incremental. What I mean is that I have worked on feature sets before either as an executive or crew, and so I am familiar with how the day breaks out and have a general idea of what everyone is doing; so I could tell when we were close to rolling and manage my energy/headspace accordingly. I have done quite a bit of acting over the last few years, and while very little of it was on-camera, there has been just enough between the shorts and webisodes that it wasn’t completely new.

And as stepping up to bigger assignments go, this practically came with training wheels. My role consists of four scenes, all of them in the same location, all of them in the same costume, and in every single one of them, I am sitting on an overturned bucket and conversing with the main character. Two person scenes, no movement – it’s like nearly every possible variable was taken out so I could just focus on not blowing this opportunity.

How did I do? That’s even more difficult to say than normal. I am used to connecting with the audience and sensing feedback immediately. Even an audience’s silence can carry an energy that lets me know where they are in terms of attention and emotion. But in this case, the majority of the crew was behind a big black curtain, watching me on monitor and staying as quiet as possible. It changes everything about my feeling of presence in the scene to not have that element, and I don’t think I have adapted comfortably into that mode yet. My role, however, was primarily comic relief without needing to carry the story, and between takes I did get feedback that people were smiling and laughing back there. Who knows if that’s true, but we did wrap 90 minutes early, and if I wasn’t doing something right I have to imagine they would have stuck around and done some tweaking.

The movie has its Facebook page up and running, and the word is that there should be a cut ready to screen privately for cast and crew come September, after which it heads out into the festival world. Inherent to that game is a certain opaqueness about where and when it is going to pop up first. Trust me, as self-conscious as I am about my big, weird head, when I know something, I will share it.

I try not to surrender too much to anxiety, but I admit I was preoccupied about this heading in. I see my life in the creative space as one where very rarely, someone will take a gamble on you and, without sure knowledge, you have to be willing to take them up on that gamble and believe you can prove worthy of it. I didn’t want to let them down, and they seem happy; more importantly, I have done something I had never done before, and now have a better chance of doing again.

Hashtag Obvious Typecasting

Major great news – I have been offered my first on-camera speaking role in a feature film. Why the caveats? Well, I had a role many years ago in this forgotten little movie made during my days as a development executive. During some reshoots I was pressed into service to play an employee at a bus depot, silently loading bags into a bus cargo hold. “This is great,” I thought, “this is guaranteed to end up in the movie, because if they don’t see how this bag got from point A to point B, the movie will make no sense!”

My scene got cut. But that’s just one of many, many stories about that movie.

Last year I had a role in an independent feature I’ve mentioned here before – Bread and Butter, but it was a voice-only role, and for all I know still might end up cut or replaced. So when it comes to features, I’m not technically totally new to this, but it sure feels like a major first, in that I’ll have a real role with long dialogue scenes and a character name and stuff.

The movie is called “The Story of Ben”, and it’s a romantic comedy to be written/directed by a gentleman named Kevin Resnick. I call him a gentleman because he specifically warned me that my big shooting day might be Mother’s Day and he wanted to make sure I was okay with that. I told him my guess was that my mother would be supportive.

My role is Greenley, the main character’s best friend/co-worker who is perpetually stoned and has terrible advice about women. It won’t be a massive studio-level production, it is an MFA thesis film produced through the New York Film Academy, so very low-budget and distribution isn’t likely – although you have to imagine they will be motivated to get it out there on the festival circuit. Kevin and his producer Rebecca Norris took a short to Cannes last year.

Honestly, I wont even be paid beyond gas money and the meals on-set. And unpaid work is a longtime hobbyhorse of mine, but one of the things most likely to make me okay with it is to have the opportunity be a real professional stepping stone, the chance to do something I haven’t done before. This very easily qualifies.

The film shoots in May and my guess is that they’ll spend most of the rest of 2014 finishing and tweaking. So who knows when it will emerge, or how it will look when it does. But this is major – updating my resume across all the different platforms I use can be tedious, but I’ll be glad to do it this time.