Auditions on Monday night for another production of Much Ado About Nothing. Just to re-state for the record – I have appeared in three separate productions of this play, in four different roles. And I was invited to reprise the role of Benedick in a fourth production, but was unavailable.

This production is on the Mainstage at the Long Beach Playhouse, which is a big, beautiful venue in the round. I performed Dracula in their upstairs studio and loved my experience with their whole organization. And it’s been over a year since my last Much Ado, so I think I would be refreshed for it. Also in the plus column – they want to set it in Hollywood during the 20’s/30’s era, which means I would probably get to wear smashingly-handsome wardrobe and drink out of martini glasses.

I really feel like I’m better with a play in my life. But there are downsides. As I learned from doing the play in Glendale, you sacrifice a lot of L.A. acting opportunities to do a play, and since I am trying to build my profile there, that’s a major sacrifice.

And there’s also this sense that I am, without getting into personal detail, worn the hell out by my recent life. Now, it could be that a play is just the thing to get me out of that, or it could be that I just won’t be bringing my best in my condition. Either way it does mean no vacation for Nick until April at least.

It’s not as if I’m going to be deprived of Shakespeare in 2014, I’m doing my best to assure that. I do feel, though, that this play has become important in my life in some way that goes beyond its inherent greatness and its status as Shakespeare. I feel like it’s become part of my codex for understanding life and myself – tricky to explain, I might write a pamphlet about it someday.

And to this day I have never played Don Pedro, which is the part I set out wanting to play.

Pluses and Minuses.

Just how much Ado does one need in a life?
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